| 1E1SOUND | links | osvaldo cibils cv | cibils@hotmail.it |
. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

osvaldo cibils official size timeless poupurrit the lids won't shut styles minimal lindo intelligent popbodqoq web unproject = Comment: Soooo many errors! less than information overwhelming no presential dimension




|
|
|
|



roman forum:


- - - - - - --- - - -|_| - - - - - - - ------------------------------------------------ -|_| - - - - - - - - --- - - -|_| | | - - - - | | - - - - --- - - -|_| - - - -_______________ --- - - -|_| - - - - --- - - -|_| - - - - | | - - - -

conowords

- - - - - - --- - - -|_| - - - - - - - ------------------------------------------------ -|_| - - - - - - - - --- - - -|_| | | - - - -

Name of applicant: no / Address: no / Contact email: no / Website address: no / Title: no / Running time: no / A brief description of the work: no

no no no no no no no


wjungle - 700cultures

- - - - - - --- - - -|_| - - - - - - - ------------------------------------------------ -|_| - - - - - - - - --- - - -|_| | | - - - -

--- -|_| - - - - - - - - --- - - -|_| | | - - - -

darwin200

--- -|_| - - - - - - - - --- - - -|_| | | - - - -



Given the assumptions of labor homogenity and a uniform production's function, this study represents a valid method of measuring marginal labor productivity.
|
|
|

- - - - - - --- - - -|_| - - - - - - - ------------------------------------------------ -|_| - - - - - - - - --- - - -|_| | | - - - -

index animation it contains: the nature, the man, the thought, the divine and the history.


biro




repetitions for don't remember - text project



kall29 drawings - 2008


. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

video

videoborder

six decades of scientific explanation (videotransportation)

- - - - ----------------------------------------
----------------------------- -|_| - - - - - - - - --- - - -|_| | | - - - --------- -|_| - - - - - - - - --- - - -

--------------------- more videos = http://it.youtube.com/OsvaldoCibils

----------------------------- -|_| - - - - - - - - --- - - -|_| | | - - - --------- -|_| - - - - - - - - --- - - -
- - - - ----------------------------------------

horse

heart

----------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------------

. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .


An artwork integrates a determined context after it gets to that instant of absolute truth, in which there's no contradiction. That very brief point in which the artwork contains all the knowledge and all the languages where the artist finds his or her real measure of integrity, and achieves to reamain standing on his or her own head like a universe's patrimony. The art then, is the majority of the implicances and its effect is sprinkler. After that, it begins to explain itself. That truth inmediately turns to be against itself. The pre artwork is comprehensive and the post one reveals the mistery. And due to this, the artist will have to regenerate himself or herself again. o.c.

NoniYet 13drawings - pencil on paper - each 21x15cms - 2008


_ _ _ __--__ - - ---___|_|-- - - -- ------


I'm a chair now:


SecondRcggtGoplana24 drawing digital proces - 1998/08 - cartoHnc drawing - acrylic and draypens on paper - 42x21cms - 2005

- onecJolla version1 - drawing - acrylic on paper - 42x21cms - 2006


that there's no turning back: at five o'clock I'm sitting at my desk: that's my sole triumph, I'm not a scientific!, but I am an early riser,



longing = cartoline


-- - - -- - - - - - - --- - - - --- _______ - | - | --- | - - - - -____

Mother, you sent me to piano lessons.

.
.
.
.
In the summer of 1956, a group of ten young people specialists in mathematics and logic met at Dartmouth College in Hanover, State of New Hampshire.

- - - - -- - --- - - - - - - -_ _ _---________|||___________________


- - - - -- - --- - - - - - - -_ _ _---________|||___________________

- - - - - - - - - - - - - - - - - - - - - - - -
- - - - -- - --- - - - - - - -_ _ _---________|||___________________- - - - -- - --- - - - - - - -_ _ _---________|||___________________

recoaro

- - -- - - - -_ _ _---_____|||______- - - - -- - --- - - - - - - -_ _ _---________|||____________________________

- - - - -- - --- - - - - - - -_ _ _---___________________________


I'm a passageway now:


- -- - --- - - - - -_ _ _---_________________________________

notations I:
notations II:
notations III:
notations IV:

_____________________________________________-- - --- - - - - - - -_ _ _---___- - - - - -- - - - - - - - - - - - - - - - - - - -_______________________ - - - - -- - --- - - - - - - -_ _ _---_________________________________

I have your head on my wall.
A cow in calf in ringing orange.
Obviously, I let him catch me.
That bawdy queen of death, tell me my name.
Before the bed, before the knife.
Travelling nude as Allan Turing.
Your application will have been unsuccessful.
Day after day, like a terrible grape.
Nobody sees us.
(
Her mouth is wide.
I have no attachments.
I am a mountain now.
I accomplish a work.
)
The handyman The handyman
The handyman The handyman
The handyman The handyman
The handyman The handyman
The handyman.
Nine cork dolls.

_____________________________________________-- - --- - - - - - - -_ _ _---___- - - - - -- - - - - - - - - - - - - - - - - - - -_______________________ - - - - -- - --- - - - - - - -_ _ _---_________________________________

_____________________________-- - --- - - - - - - -_ _ _---___- - - - - -- - - - - - - - - - - - - - - - - - - -_______________________ - - - - - - - - - - - - - - - - - -_______________________ - - - - -- - --- - - - - - - -_ _ _---_________________________________ - - - - - -_ _





| - - - - - | 28 BOOKS


I'm a cork now:



jupiter 1999

jupiter 2005


0v0 animation



- - - - - - - -_______________________|||- - - - -- - --- - - - - - - -_ _ _---_________________________________ - - - - - -_ _



LINKS



frontera incierta by enrique aguerre




http://netart.org.uy by brian mackern




consemble sound project

videomedeja

UAVM virtual museum


netEX networked experience
perpetual art machine
saatchi online tv
artreview
Artisho, Galerie d'art contemporain


robert pearre


B1. Metamorphosis by M-TRAN III

dr. haruhisa kurokawa


folding pentagons





a.r.penck - thomas bernhard - pole - klaus kinski - sylvia plath - carlos gardel - daniel johnston - alan turing - enzo cucchi - toyo ito - john cage - meret becker - yang lian - ludwig wittgenstein - norbert wiener - rowan atkinson - charles bukowsky - miguel angel buonarroti - flash software - rollosonic software - enrique aguerre - brian mackern - robert pearre - alison williams

..................................................................................................................................................................................................................................................................................................
..................................................................................................................................................................................................................................................................................................